Ebook , by Stuart Kells
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, by Stuart Kells
Ebook , by Stuart Kells
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Product details
File Size: 1174 KB
Print Length: 288 pages
Publisher: Counterpoint (April 10, 2018)
Publication Date: April 1, 2018
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B075L61R78
Text-to-Speech:
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Amazon Best Sellers Rank:
#99,506 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
Among the most intriguing gems in this work are occasional observations that this reviewer has never seen elsewhere. We have been exposed before to such points as how the direction of writing has varied from left to right and vice-versa. But how many of us knew that “the rate of [library] shelf-sag occurs proportionally to the shelf’s length, to the power of four.†The modern library designer Melvil Dewey calculated from this that optimal shelf length was thus one meter: beyond that, sagging was inevitable without reinforcement.A serious inconvenience, if not outright shortcoming, of this book is its lack of an index. The richness of the text is made less accessible not only by this oversight but also by less than intuitive titles such as “A damned sewerful of men: Renaissance Rediscoveries†(Chapter 4).
This is an engaging, wide-ranging, sometimes repetitive collection of thoughts, observations, and personal opinions regarding books, book making, libraries, book collecting, printing, paper manufacture, fictional libraries, shelving, and, especially, private libraries through the ages. If you might give some thought to dropping by on a Friday night at McCosh 10 to catch a lecture by that old slightly muddled but interesting professor from the English Department, then this could be the book for you.We start with the Great Library at Alexandria, and I more or less expected a chronological walk through the history of libraries, ending up with the usual discussion of what libraries mean now in this digital age. That is not what you get. Rather, you get a bit more than that and a bit less. Like a Dr. Who of libraries we travel around in time and place; so you might walk out of the Bodleian and into the Folger, only to then turn around and find yourself in the Vatican on your way to Pushkin's private apartment library.While the organization of the book is chaotic, and the author's sense of what's worthy of note is unique, (the Vatican's erotica collection, first web porn videoed in a library, odd things found in returned library books, number of people killed by falling over shelves), there are a few topics that we meet repeatedly. These include - descriptions of private libraries and sketches of private collectors, short histories of numerous monastic libraries, stories about famous books and manuscripts, fictional libraries, private libraries of writers, bookmaking and adornment tools and materials, and attitudes toward books over time.I enjoyed this book because it was so personal and unpredictable, but also because it is remarkably free of that creepy, maudlin, syrupy romanticism and fetishism that so often infects books about books. This Book by Kells, (not to be confused with "The Book of Kells"), is cheerful, and upbeat and inviting, and that has made all the difference.(Please note that I received a free advance ecopy of this book without a review requirement, or any influence regarding review content should I choose to post a review. Apart from that I have no connection at all to either the author or the publisher of this book.)
Call me simple, but I was hoping for pictures of beautiful libraries. There are no pictures in this book.
We are forgetting how important our free libraries are and have been. They have their own stories to tell. They have shaped our intelligence and housed our imagination.
Well-written and fascinating read. A potted history of books in all their forms, and wonderful detail about the evolution of libraries and the people who amassed libraries of books. Couldn't put it down.
My own love affair with libraries started well over half a century ago. The libraries of my youth were places of magic, of possibilities to be explored. They were also places of refuge. But what are libraries, and how have they evolved over the centuries? In this book, Stuart Kells writes about libraries (both fictitious and real) and their influence on individuals, on literature and on culture more generally.‘If a library can be something as simple as an organised collection of texts, then libraries massively pre-date books in the history of culture. Every country has a tradition of legends, parables, riddles, myths and chants that existed long before they were written down.’I remember the folk tales of my childhood. Many of them appeared in print, but some of them were part of the storytelling that is part of my Gaelic-speaking ancestry. I remember, too, reading ‘The Name of the Rose’ by Umberto Eco, and wondering exactly which books were in it. Or in Carlos Ruiz Zafón’s Cemetery of Forgotten Books.This book is full of interesting anecdotes. One of my favourites was this :‘Sir Robert Cotton was at his tailor’s shop when he saw by chance an ancient document that the tailor was about to cut up and use as a tape measure. On examination, the sheepskin parchment turned out to be an original Magna Carta—one of as few as four that King John had signed in 1215—still with ‘all its appendages of seals and signatures’ attached.’I was marginally disappointed to read, a few pages later that:‘Some of these stories of book discovery are surely apocryphal. There is considerable doubt, for example, as to whether Cotton really did find an original Magna Carta at his tailor’s shop.’But the point isn’t really whether an original Magna Carta was treated in this way, the point is that it’s possible. Sometimes the margins between fact and fiction can be blurred in a most satisfying way.Aside from the anecdotes, there’s information about the many libraries Stuart Kells has visited. There’s information about the history of recording information and its storage, including the use of tablets, papyrus and animal skins. And, eventually, mass scale printing.Like many other readers, I read both print and electronic material. I prefer print, but electronic material is often easier to access and requires less physical storage. But does the digital age pose a threat to traditional physical books, or is it simply an additional delivery mode? In the library I now use, there’s a mixture of physical and digital material. And the library has plenty of patrons.I liked this quote:‘Reading a book on screen or in microfilm was an unsatisfactory experience, like kissing a girl through a windowpane.’While I don’t know about kissing through a windowpane, I do know that books that I love are books that I want to hold. That, for me and for many others, reading is a tactile experience as well as a visual one. There’s something about the smell of books (old or new), something about the heft of a physical volume that digital copies just don’t have.I loved this book.Jennifer Cameron-Smith
An odd sounding subject that turns into a very interesting book of history! I never thought about man’s varied respect for libraries and their value until I read this book, and it turns out to be very interesting.
I am interested in the history of Libraries and this book did a good job there. The only failing was that it got a little dense in facts at the end, but the parts leading up to that held my interest.
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