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Free PDF The Princess and the Goblin (Puffin Classics), by George MacDonald

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The Princess and the Goblin (Puffin Classics), by George MacDonald

Free PDF The Princess and the Goblin (Puffin Classics), by George MacDonald

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About the Author

Ursula Le Guin was born in Berkley, California, in 1929, daughter of the writer Theodora Krober and the anthropologist Alfred Krober. Her published work includes twenty-one novels, eleven volumes of short stories, three collections of essays, twelve books for children, six volumes of poetry and four of translation. Among her novels are the The Left Hand of Darkness and The Dispossessed, both winners of the Nebula and Hugo awards, Always Coming Home, winner of the 1985 Kafka Award, and Four Ways to Forgiveness. In 2009 she won her sixth Nebula award for Powers. Penguin/Puffin published the first volume of the Earthsea books, A Wizard of Earthsea, in 1971. The Earthsea books have been translated into many languages around the world and are global bestsellers.

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Excerpt. © Reprinted by permission. All rights reserved.

CHAPTER 1Why the Princess Has a Story about HerThere was once a little princess whose father was king over a great country full of mountains and valleys. His palace was built upon one of the mountains and was very grand and beautiful. The princess, whose name was Irene, was born there, but she was sent soon after her birth, because her mother was not very strong, to be brought up by country people in a large house, half castle, half farmhouse, on the side of another mountain, about halfway between its base and its peak.The princess was a sweet little creature and at the time my story begins was about eight years old, I think, but she got older very fast. Her face was fair and pretty, with eyes like two bits of night sky, each with a star dissolved in the blue. Those eyes, you would have thought, must have known they came from there, so often were they turned up in that direction. The ceiling of her nursery was blue with stars in it, as like the sky as they could make it. But I doubt if ever she saw the real sky with the stars in it, for a reason, which I had better mention at once.These mountains were full of hollow places underneath, huge caverns and winding ways, some with water running through them and some shining with all colors of the rainbow when a light was taken in. There would not have been much known about them had there not been mines there, great deep pits, with long galleries and passages running off from them, which had been dug to get at the ore of which the mountains were full. In the course of digging the miners came upon many of these natural caverns. A few of them had far-off openings out on the side of a mountain or into a ravine.Now in these subterranean caverns lived a strange race of beings, called by some gnomes, by some kobolds, by some goblins. There was a legend current in the country that at one time they lived above ground and were very like other people. But for some reason or other, concerning which there were different legendary theories, the king had laid what they thought too severe taxes upon them, or required observances of them they did not like, or had begun to treat them with more severity in some way or other, and to impose stricter laws; and the consequence was that they had all disappeared from the face of the country. According to the legend, however, instead of going to some other country they had all taken refuge in the subterranean caverns, whence they never came out but at night, and then seldom showed themselves in any numbers and never to many people at once. It was only in the least frequented and most difficult parts of the mountains that they were said to gather, even at night in the open air. Those who had caught sight of any of them said that they had greatly altered in the course of generations; and no wonder, seeing they lived away from the sun, in cold and wet and dark places. They were now, not ordinarily ugly, but either absolutely hideous or ludicrously grotesque both in face and form. There was no invention, they said, of the most lawless imagination expressed by pen or pencil, that could surpass the extravagance of their appearance. And as they grew misshapen in body, they had grown in knowledge and cleverness and now were able to do things no mortal could see the possibility of. But as they grew in cunning, they grew in mischief, and their great delight was in every way they could think of to annoy the people who lived in the open-air story above them. They had enough of affection left for each other to preserve them from being absolutely cruel for cruelty's sake to those that came in their way; but still they so heartily cherished the ancestral grudge against those who occupied their former possession, and especially against the descendants of the king who had caused their expulsion, that they sought every opportunity of tormenting them in ways that were as odd as their inventors; and although dwarfed and misshapen, they had strength equal to their cunning. In the process of time they had got a king and a government of their own, whose chief business, beyond their own simple affairs, was to devise trouble for their neighbors. It will now be pretty evident why the little princess had never seen the sky at night. They were much too afraid of the goblins to let her out of the house then, even in company with ever so many attendants; and they had good reason, as we shall see by and by.

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Product details

Age Range: 10 and up

Grade Level: 5 - 6

Series: Puffin Classics (Book 26)

Paperback: 256 pages

Publisher: Puffin Books; Reissue edition (June 9, 2011)

Language: English

ISBN-10: 0141332484

ISBN-13: 978-0141332482

Product Dimensions:

5.1 x 0.6 x 7 inches

Shipping Weight: 5.6 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

621 customer reviews

Amazon Best Sellers Rank:

#22,461 in Books (See Top 100 in Books)

“The Princess and the Goblin” is a children’s fairy tale with valuable lessons for people of all ages. It includes numerous allusions to Christian themes, but not in an overly preachy way.The Kindle edition does not include the beginning exchange below, and I think it is important because it helps readers understand George MacDonald’s view on Christian Universalism. Regardless of whether you agree with the author, believers of Jesus can see how we are all the daughter and sons of the King, and thus “princesses” and “princes” despite our earthly lineage.“THERE was once a little princess who—“But Mr. Author, why do you always write about princesses?”“Because every little girl is a princess.”“You will make them vain if you tell them that.”“Not if they understand what I mean.”“Then what do you mean?”“What do you mean by a princess?”“The daughter of a king.”“Very well, then every little girl is a princess, and there would be no need to say anything about it, except that she is always in danger of forgetting her rank, and behaving as if she had grown out of the mud. I have seen little princesses behave like children of thieves and lying beggars, and that is why they need to be told they are princesses. And that is why when I tell a story of this kind, I like to tell it about a princess. Then I can say better what I mean, because I can then give her every beautiful thing I want her to have.”“Please go on.”

A reader can never go wrong with George MacDonald, as I discovered in childhood with my marvellous discovery of "At the Back of the North Wind." There are some similarities is "The Princess and the Goblin"....Princess Irene's great-great-etc. grandmother facilitates powers for the good, sometimes (not always) not seeming so pleasant when they occur...MacDonald brings an honest, strong theology across subtly in his works. I didn't quite love this work as much as "North Wind" as there was more violence to it....that war between humans and goblins, oh my!!!! (When you get done reading this, read "Peer Gynt" if you haven't done so already....the goblins were very reminiscent of the trolls; he even borrowed from the phrase "The Hall of the Mountain King" in one of his chapters.) That being said, the characters and emotions are real, and the imagery incredibly poetic. I do recommend this book--if you're giving it to a young person to read or reading it to them, just be aware that some of the content in the fighting scenes is a bit intense. Princess Irene is on an amazing quest to find herself, her family story and, in a sense, her spirituality...even though she never leaves the castle without her faithful nurse. Her friendship with Curdie is plainly going to be explored in further writings....I will make it a point to read "The Princess and Curdie" next. Reading George MacDonald will institute or strengthen a love of the beauty of the English language.

Wonderful book: thoroughly mediocre edition. If printing details matter to you, this is not what you want. The cover is a low-grade copy of an old text: it looks good here on the Amazon site, and I was excited about the quaint illustrations, but they are pixillated blow-ups of a low resolution original. The trim size of the book is larger, so all the flaws on the original are magnified, with no attempt to clean it up. I bought this for my godchild; I think she'll be enchanted by the story, but the format is going to be discouraging, and would be for any young reader, I think. (She's going on 12.) The pages look just like they do in the "see inside" feature. Sometimes those pages are from the kindle edition, and Amazon is not careful about making sure that the pages you see are actually from the edition you are buying. The pages look like they're from a Kindle version both online and in the actual text. Big blocks of text until you get to dialogue, at which point there is extra space between each line of dialogue, breaking up the page TOO much. Only .5" margin left all around, so the pages are very full and everything looks cramped, especially the page numbers that are crammed at the bottom, directly under the last line of text. No care was taken in preparing the pages for printing: No attempt to make formatting attractive, no attempt to appeal to young readers who are excited about chapter books, no attempt to place pictures within the text without interruption (pictures get a full page, and the text on the facing page ends arbitrarily at some point on the page, then continues on the next, looking as if we're at the end of a chapter, but we're not actually: they just didn't want to reset the pages, which literally takes a few minutes of fiddling around electronically, whereas in the old days of publishing, it took major time to reset a page and all the pages after). This is incredibly slipshod. I wanted a cheap copy (I'm sending her a lot of books at once), but I also want her to love the story, so I'm not sure if I should give her this one. I may just wait and order a more expensive one that is attractive. I used to work in publishing, so maybe I've overly picky, but this is so poor of a reprint that it's painful. I should have had better sense than to order it. I'm still a professional freelance copy-editor and proofreader, and I shudder to think how bad of a job they did with the actual words and punctuation. It just came in the mail a few minutes ago, and I'm slowly talking myself into sending it back as I type this ....This is the edition I am reviewing:Pub: CreateSpace Independent Publishing Platform (February 15, 2017)ISBN-10: 1543137962ISBN-13: 978-1543137965

This is not a review of the storyThe Princess And The Goblin: By George MacDonald - Illustrated, which is marvelous, but of this terrible, mistake-riddled edition. Don't be fooled by the decent paper stock and cover--this is some kind of bootleg desktop publication, and not from any publishing house. There is no edition information or ISBN, and the bit of front matter is cribbed from Wikipedia. The text itself is full of errors that would horrify the author, and there are lots of poorly formatted marks for footnotes that aren't included. Some of the text is out of order, and whole sentences are repeated. If I had to guess, it was cribbed by a non-English speaking entrepreneur from a student's sloppy transcription used as part of a thesis or dissertation. Do not buy this!!!

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